popeye-x reflects on
the
mystery of certain notes
I knew it
would come to this,
Even though I
never really believed
it could really be possible,
I never
doubted for one second
it was absolutely necessary.
I wanted to be
part of it,
I couldn't let it slip thru my fingers.
sometimes I've
wondered if I'd live thru it
I knew it
wouldn't kill me,
but there are dark forces at play,
I wanted to
own a big chunk of it
I stole low F#
early on
best note on
the piano
I own it now,
I know it like I know
the back of my own face
even better,
it knows me
its waiting
for me anytime I want it
best of all, I
get to keep it,
and this makes me feel greedy...
but I'm not
giving it up, greedy or not
there was a
time it was
the only reliable friend I had
it gave me a
home to rest my left pinky on
you can build
a whole world of noise
on top of that F#
its wide and
strong, I even stack
C's and G's on top of it
E's, Eb's, and
always a C# somewhere
preferably
next to the G# or the B
they all fit
on top of that F#, in any order,
tilted any direction
let them fall
over in pieces
and scatter in
a pile... the low F# is still there
and its got
that fat C underneath,
just in case
the floor needs to drop temporarily
but all the
rooms and hallways
connect back to that F#
there's even a
few trap doors but you'll have to find them yourself
if I pointed
them all out to you,
it wouldn't be
worth looking to see
if I'm lying or not
check out that
low F#, two octaves down...
yeah, that low
black key
the one on the
left of three black keys
F# is to grand
piano
what the 808 kik bass is to hip hop
the
cornerstone of any decent stack of
notes and/or noises
with the F#
underneath,
notes and noises are free to be themselves
you simply
can't tip the F# over
its a no tilt,
bottom line, slab of piano flesh
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you can use
that F# to get laid, just look your girlie in the eye, then drop a
run of notes that cascades down, and land
square on the F#, then look her in the eye again,
then look at
the F#..
its a manly
masculine note, and she will
understand that just by the sound of it, drop a
handful of sounds and rhythms on top of it
Joe Zawinul
knows EXACTLY what the fuck I'm talking about, so did
Friedrich Chopin, I never
understood why they made Middle C
such a famous note, it sounds
wimpy, like a sissy note,
but drop the
F# two octaves below it, now its
SINISTER
F# is so bad
ass it can make sissy notes
like Middle C and A-440 sound evil
look at a bass
guitar,
? if there was ever any doubt,
here's the final proof
what is
sitting exactly one whole step
UP from low open E string?
F muthafucking
#, it sounds as good on bass
as it does on the piano
in fact, play
a bass F# at the same time
as a low piano F#
there, you've
got the basis of a whole band,
with all the balls you'll ever need
can you say
"Weather Report"?
sprinkle a
little ring modulated Rhodes
across the top,
that's all the
hints
I'm giving out in one day |
next
month:
The
Mahavishnu
Orchestra,
the 1st LP, Side 1, Song #1... play
it
the first
note...
check it out,
now tell me,
what
motherfucking
note is
the whole concept resting on?
you wanna be a
bad ass guitarist?
come to grips
with that low F#,
like Jimi on Foxy Lady,
"yeah...
just axe the F#,
he knows everything...
let me prove
it to you....
nnnnngggggggrrrrraawwwwwww....." |
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